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All good in - Joana Öhlschläger
Malmö
Inkonstlördag, 1 februari 2025 kl:20:00
Doors 19:30 // On stage 20:00 // 45min
ALL GOOD IN explores the poetics of planned and coincidental encounters in a scenario flickering between the concreteness of the theater room and its imaginary layers. Full of humorous surprise, it invites the audience on a journey through overstimulation, ungraspable joy and grief.
here we meet
?in strange ways
?maybe on a bus ride
?maybe in a different life?
you’ve come a long way
?knock knock
?to constantly become
?what cannot stay
ALL GOOD IN explores the poetics of planned and coincidental encounters in a scenario flickering between the concreteness of the theater room and its imaginary layers.
A group of female performers traverses the microverse of the stage and expands its edges by strategies for entering and exiting. As each of them moves unapologetically on their individual pathway they cross into a complex web of a meeting place.
Here the pragmatic blends with the performative into a poetic, saturated picture puzzle: a timeline in a timeline in a time span that stretches beyond what is happening and our projection of what is to come. A bright, messy world unfolds that is full of humorous surprise, while at the same time the cold reality is knocking on the door.
ALL GOOD IN invites the audience on a journey through overstimulation, ungraspable joy and grief.
Choreography: Joana Öhlschläger.
Created in collaboration with the dancers: Alvilda Faber Striim, Ella Östlund, Elli Maria Virtanen, Frida Billeskov Olesen, Inaja Skands, Karin Bergman, Léana Licius, Madeleine Cole, Magalí Camps, Þórunn Guðmundsdóttir, Vilma Ehnberg.
Dancers: To be announced (TBA).
Light design: Magnus Hjortlund.
Scenography: Maya Kareis Livingstone.
Composition and sound arrangement: Simon Richardt.
Dramaturgical sparring / Mentoring: Quim Bigas.
Production assistance: Agnes Olander.
Supported by: The Danish National School of Performing Arts.
Joana Öhlschläger (she/her) is a German choreographer and dancer based in Copenhagen. Her work employs humor, surprise and abstracted cliché to invite an audience into places of imaginative recognition and emotional permission.
Joana holds an MfA in Choreography from The Danish National School of Performing Arts. She is co-founder of KOMMA Performance Productions, a collective association supporting the development and production of choreographic works.
ALL GOOD IN is Joanas MfA graduation work, which has been created in close collaboration with the artistic team. It will now be presented in a readapted version, with its Swedish premier at Inkonst.
Kulturföreningen Inkonst är en ideell kulturförening i Malmö, grundad 1998, som bland annat anordnar klubbar, livekonserter, seminarier/föreläsningar, teater/performance och ungdomsverksamhet. Sedan våren 2006 huserar Inkonst i den gamla chokladfabriken, numera Kulturhuset Mazetti i delområdet Rådmansvången i Malmö.
ALL GOOD IN explores the poetics of planned and coincidental encounters in a scenario flickering between the concreteness of the theater room and its imaginary layers. Full of humorous surprise, it invites the audience on a journey through overstimulation, ungraspable joy and grief.
here we meet
?in strange ways
?maybe on a bus ride
?maybe in a different life?
you’ve come a long way
?knock knock
?to constantly become
?what cannot stay
ALL GOOD IN explores the poetics of planned and coincidental encounters in a scenario flickering between the concreteness of the theater room and its imaginary layers.
A group of female performers traverses the microverse of the stage and expands its edges by strategies for entering and exiting. As each of them moves unapologetically on their individual pathway they cross into a complex web of a meeting place.
Here the pragmatic blends with the performative into a poetic, saturated picture puzzle: a timeline in a timeline in a time span that stretches beyond what is happening and our projection of what is to come. A bright, messy world unfolds that is full of humorous surprise, while at the same time the cold reality is knocking on the door.
ALL GOOD IN invites the audience on a journey through overstimulation, ungraspable joy and grief.
Choreography: Joana Öhlschläger.
Created in collaboration with the dancers: Alvilda Faber Striim, Ella Östlund, Elli Maria Virtanen, Frida Billeskov Olesen, Inaja Skands, Karin Bergman, Léana Licius, Madeleine Cole, Magalí Camps, Þórunn Guðmundsdóttir, Vilma Ehnberg.
Dancers: To be announced (TBA).
Light design: Magnus Hjortlund.
Scenography: Maya Kareis Livingstone.
Composition and sound arrangement: Simon Richardt.
Dramaturgical sparring / Mentoring: Quim Bigas.
Production assistance: Agnes Olander.
Supported by: The Danish National School of Performing Arts.
Joana Öhlschläger (she/her) is a German choreographer and dancer based in Copenhagen. Her work employs humor, surprise and abstracted cliché to invite an audience into places of imaginative recognition and emotional permission.
Joana holds an MfA in Choreography from The Danish National School of Performing Arts. She is co-founder of KOMMA Performance Productions, a collective association supporting the development and production of choreographic works.
ALL GOOD IN is Joanas MfA graduation work, which has been created in close collaboration with the artistic team. It will now be presented in a readapted version, with its Swedish premier at Inkonst.
Kulturföreningen Inkonst är en ideell kulturförening i Malmö, grundad 1998, som bland annat anordnar klubbar, livekonserter, seminarier/föreläsningar, teater/performance och ungdomsverksamhet. Sedan våren 2006 huserar Inkonst i den gamla chokladfabriken, numera Kulturhuset Mazetti i delområdet Rådmansvången i Malmö.
