Mer information
Keith Fullerton Whitman + Dufwa
Stockholm
Fylkingentorsdag, 2 mars 2017 kl:20:00
Keith Fullerton Whitman is a composer & musician currently based in Melbourne, Australia. Beginning in the early 90's while working towards a Bachelor's Degree in "Music Synthesis" Degree at Boston's Berklee College of Music, Keith began exploring electronic music's many facets, eventually yielding dozens of recordings for influential labels such as Kranky, Editions Mego, PAN, Planet µ, Carpark, Room40, Amethyst Sunset, Amish, NNA Tapes, No Fun Productions, Agents of Chaos, Arbor, Digitalis Limited, Ekhein, Heavy Tapes, Rare Youth, Root Strata, and many more.
These days his creative energies are largely put into the continued development of a singular take on "Live Electronic Music" incorporating an ever-changing hybrid software & hardware-based system that allows for the desired complexities of sound & vision. While this work has recently manifested itself as a pair of albums for Editions Mego entitled "Generators" & "Occlusions," it's largely intended for the stage. More recently, Keith has been performing a piece titled "Redactions," incorporating thematically & geographically relevant Musique Concrète elements into the modular setup. He is set to launch a new series of scalable, equestrian-themed digital music frameworks under the "Grid Work" banner in early 2017.
Over the past 20 years, Keith has given over 500 performances of his music - everything from solemn held-tones to pointillist reckless-abandon - at venues ranging from "Punk" basements to some of the most celebrated European & North-American festival stages such as Akousma, CTM, Dissonanze, Electronica En Abril, Impakt, Kontraste, Lanaudière, LUFF, Mutek, Novas Frequencias, Présences Électroniques, Skanu Mesz, Sonic Acts, Suoni Per Il Popolo, Terraforma, Ultrahang, Unsound, Werkleitz, ZKM, etc. In addition, he has given dozens of artist talks & history lectures at prestigious institutions including the Banff Centre, Dartmouth, Harvard, Johns Hopkins, & MIT & has taken part in Colloquia, acted as Guest Faculty, co-curated music festivals & organized concerts & film events in the Boston area & beyond.
He has collaborated both on stage & record with Oren Ambarchi, Caboladies, Rhys Chatham, Tony Conrad, Greg Davis, Frans de Waard, Deerhunter, JD Emmanuel, Lawrence English, Mark Fell, Robin Fox, David Grubbs, Glenn Jones, Michael Karoli & Malcolm Mooney (Can), Eli Keszler, Felix Kubin, Okkyung Lee, Alan Licht, Matmos, Norbert Möslang, Geoff Mullen, Benjamin Nelson, Charlemagne Palestine, Terry Riley, Joel Ryan, Jessica Rylan, Uwe Schmidt, TV Pow, Ben Vida, Nate Wooley, C. Spencer Yeh, and countless others. He is also known for performances and realizations of works by composers such as Ilhan Mimaroglu, Phill Niblock, Dick Raaijmakers and Conrad Schnitzler.
Fylkingen är en svensk förening för experimentell musik och konst i huvudsak bestående av utövande konstnärer. Grundad år 1933 och är en av världens äldsta i sitt slag. Fylkingen startade som en kammarmusikförening men har under åren utvecklat sin verksamhet mot nya experimentella och oetablerade former av samtida konst och musik.
These days his creative energies are largely put into the continued development of a singular take on "Live Electronic Music" incorporating an ever-changing hybrid software & hardware-based system that allows for the desired complexities of sound & vision. While this work has recently manifested itself as a pair of albums for Editions Mego entitled "Generators" & "Occlusions," it's largely intended for the stage. More recently, Keith has been performing a piece titled "Redactions," incorporating thematically & geographically relevant Musique Concrète elements into the modular setup. He is set to launch a new series of scalable, equestrian-themed digital music frameworks under the "Grid Work" banner in early 2017.
Over the past 20 years, Keith has given over 500 performances of his music - everything from solemn held-tones to pointillist reckless-abandon - at venues ranging from "Punk" basements to some of the most celebrated European & North-American festival stages such as Akousma, CTM, Dissonanze, Electronica En Abril, Impakt, Kontraste, Lanaudière, LUFF, Mutek, Novas Frequencias, Présences Électroniques, Skanu Mesz, Sonic Acts, Suoni Per Il Popolo, Terraforma, Ultrahang, Unsound, Werkleitz, ZKM, etc. In addition, he has given dozens of artist talks & history lectures at prestigious institutions including the Banff Centre, Dartmouth, Harvard, Johns Hopkins, & MIT & has taken part in Colloquia, acted as Guest Faculty, co-curated music festivals & organized concerts & film events in the Boston area & beyond.
He has collaborated both on stage & record with Oren Ambarchi, Caboladies, Rhys Chatham, Tony Conrad, Greg Davis, Frans de Waard, Deerhunter, JD Emmanuel, Lawrence English, Mark Fell, Robin Fox, David Grubbs, Glenn Jones, Michael Karoli & Malcolm Mooney (Can), Eli Keszler, Felix Kubin, Okkyung Lee, Alan Licht, Matmos, Norbert Möslang, Geoff Mullen, Benjamin Nelson, Charlemagne Palestine, Terry Riley, Joel Ryan, Jessica Rylan, Uwe Schmidt, TV Pow, Ben Vida, Nate Wooley, C. Spencer Yeh, and countless others. He is also known for performances and realizations of works by composers such as Ilhan Mimaroglu, Phill Niblock, Dick Raaijmakers and Conrad Schnitzler.
Fylkingen är en svensk förening för experimentell musik och konst i huvudsak bestående av utövande konstnärer. Grundad år 1933 och är en av världens äldsta i sitt slag. Fylkingen startade som en kammarmusikförening men har under åren utvecklat sin verksamhet mot nya experimentella och oetablerade former av samtida konst och musik.
